
July 20th, 3:00pm, Gallagher-Bluedorn Performing Arts Center, Davis Hall
The Last Tango in Iowa
Experience the passion and beauty of music from the world of renowned Argentine tango composer Astor Piazzolla (1921-1992). His numerous works revolutionized the traditional tango of the early 20th century by incorporating new ideas from jazz and classical music and creating what is now referred to as “nuevo tango“.

This concert is sponsored in part by West Music
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Few composers are immortalized because they “colored inside the lines.” Astor Pizzolla (1921-1992), certainly strayed outside the confines of his country’s traditional tango music. His vision was to take the subtle music heard in the cafes of Buenos Aires and embue it with modern elements that were in the air in the 20th cenutry. Piazzolla turned to avant-grade concepts in everything from the music he composed to the ways one approached the traditional instrumental techniques of the tango. The results are masterpieces of depth that catapulted tango music from a regional music to a world-wide phenomenon.

Composer Focus: Astor Piazzolla
Astor Piazzolla (born March 11 1921, Mar del Plata, Argentina) was an Argentine composer and a virtuoso on the bandoneon (pictured above). Raised on the tango of Argentian cafes in the early 20th cenutry, Piazzolla left traditional Latin American tango bands in 1955 to create a new tango that blended elements of jazz and classical music. He is considered the father of “nuevo tango” and one of Latin America’s most important 20th century composer.
He received his first bandoneón at age eight and learned to play both that instrument and the piano as a child. In Mar del Plata in 1936, Piazzolla began playing with a variety of tango orchestras. At age 17 he moved to Buenos Aires. He formed his own orchestra in 1946, composing new works and experimenting with the sound and structure of the tango. About the same time, he began to wite film music. In 1949 he disbanded the orchestra, unsatisfied with his own efforts and still interested in classical composition. Having won a composing contest with his symphonic piece Buenos Aires (1951), he went to study in Paris with Nadia Boulanger. She urged him to remain true to himself and to continue his experiments with the tango. Henceforth he combined his two musical passions, despite much criticism from tango traditionalists. He returned to Argentina in 1955 but moved once again to the United States, where he lived from 1958 to 1960. When he returned again to Argentina, he formed the influential Quinteto Nuevo Tango (1960), featuring a violin, electric guitar, piano, double bass, and bandoneón. Though many of his 750 compositions were written for that quintet, he also composed pieces for orchestra, big band, bandoneón, and cello. His innovations, including counterpoint and new rhythms and harmonies, were initially not well received in his country, but they were greatly admired in the United States and Europe. In Argentina Piazzolla’s new tango gradually gained acceptance, and his music influenced a new generation of tango composers and was featured during the 1970s and 1980s in film scores, television programs, and commercials. His later compositions included a concerto for bandoneón and orchestra (1979) and, commissioned by Kronos Quartet, Five Tango Sensations for bandoneón and string quartet (1989).
Astor Piazzolla died in Buenos Aires on July 4, 1992.
Highlight: Watch violinist Scott Yoo, as he explores the music of Astor Piazzolla in Bueons Aires.
Season Tickets Go on Sale May 15
Frequently Asked Questions
Unless the concert sells out in pre-sales, there will be a limited number of tickets available at the door. Please find the ticket/willcall table in the lobby of the GBPAC in front of Davis Hall which will be open 30 minutes before the concert.
This performance includes 85 minutes of music and a 20 minute intermission.
Questions about CVCM events can be sent to info (at) cedarvalleymusic.org
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